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Swedish actress Ann Margret was a triple threat: a talented singer and actress who exuded natural sexuality. This compilation pairs two of her mid-sixties soundtrack albums, and are delightful listens. Read more
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Swedish actress Ann Margret was a triple threat: a talented singer and actress who exuded natural sexuality. This compilation pairs two of her mid-sixties soundtrack albums, and are delightful listens. Read more
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Everett True has some thoughts on the realities about the first wave of British punk, courtesy of the latest Cherry Red box set, Action Time Vision. Read more
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Everett True has some thoughts on the realities about the first wave of British punk, courtesy of the latest Cherry Red box set, Action Time Vision. Read more
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Polish jazz-pop vocalist Basia’s third album was a rewarding maturation of the sounds that had brought her international success four years previous, and this expanded edition highlights just how fantastic this album was, even as it served to be her final major solo release. Read more
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Polish jazz-pop vocalist Basia’s third album was a rewarding maturation of the sounds that had brought her international success four years previous, and this expanded edition highlights just how fantastic this album was, even as it served to be her final major solo release. Read more
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Unlike former bandmate Peter Hook’s autobiographies, New Order frontman Bernard Sumner’s autobiography is terse, vague, and not particularly revelatory or insightful; it feels like a half-hearted retort to Hook’s book, a year before Substance appeared, creating for a dull read from someone capable of writing a much, much better book. Read more
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Unlike former bandmate Peter Hook’s autobiographies, New Order frontman Bernard Sumner’s autobiography is terse, vague, and not particularly revelatory or insightful; it feels like a half-hearted retort to Hook’s book, a year before Substance appeared, creating for a dull read from someone capable of writing a much, much better book. Read more
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Peter Hook’s long-awaited final entry into his trilogy about his career is a hefty tome that is at times funny, angry, sad, and frustrating, but Substance is, ultimately, a love letter to the band that, for better or worse, made him the man he is. Read more
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Peter Hook’s long-awaited final entry into his trilogy about his career is a hefty tome that is at times funny, angry, sad, and frustrating, but Substance is, ultimately, a love letter to the band that, for better or worse, made him the man he is. Read more
