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On A Monday Night is a recently discovered live performance from the Bill Evans Trio, taken from a late-career show. It’s a superb performance, even though there’s an odd tension in the air. Read more
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Taken from the Mondo Tees release, The Blackcoat’s Daughter. Read more
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Taken from the Moon Sounds release, Night Rides. Read more
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Writer Joan Didion’s latest work is a collection of notes from two unpublished essays from the 1970s, and contains an insightful, interesting, and compelling look at the South during a time of transition. Read more
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Writer Joan Didion’s latest work is a collection of notes from two unpublished essays from the 1970s, and contains an insightful, interesting, and compelling look at the South during a time of transition. Read more
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Taken from the Artificial Plastic record release, Damage And Joy. Read more
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Gerry Rafferty’s 1971 debut album, Can I Have My Money Back? was a record that should have been a major hit; unfortunately, it was largely ignored, and led to the formation of his band Stealers Wheel. Read more
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Gerry Rafferty’s 1971 debut album, Can I Have My Money Back? was a record that should have been a major hit; unfortunately, it was largely ignored, and led to the formation of his band Stealers Wheel. Read more
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For a brief time, Deee-Lite was one of the most original dance bands in the world. World Clique, their debut, was also their masterpiece, a blend of funk, soul, techno, disco, and just plain outer-space retro weirdness. It wasn’t destined to last, and it didn’t; but in 1990, you couldn’t top ’em. This expanded reissue… Read more
SINCE 2013: Books and books and books and books and occasionally other things
The Recoup 