Taken from the Creation Records release, The Final Resting Of The Ark.
Felt’s third album for Creation found them being guinea pigs for the label’s newest concept, which resulted in an album finds them heading into an unexpected new musical direction.
By 1987, Carly Simon’s career was in a bit of a slump. After a disastrous attempt to make a contemporary pop album, she launched into make a mature, intelligent record that resulted in some of her best writing to date, and was an international success to boot.
For its 30th Anniversary, writer Ron Hart pontificates on Kick, Australian rock band INXS’s most commercially successful and critically acclaimed album.
Progressive musician Bill Nelson’s 1987 album was an ambitious double album consisting of minimalistic ambient sonic sketches compiled to form a cohesive whole. This thirtieth anniversary edition offers the set in its entirety, as well as a limited edition seven inch suite and fourteen bonus tracks–adding additional depth to the listening experience.
The Eighties proved to be a fallow period for a lot of classic country musicians, Tammy Wynette included. These two late-period records are exceptions to the rule; one, a fine take on contemporary sounds; the other, a true retro country record that featured an all-star cast.
Taken from the Tompkins Square release, The Sky Is An Empty Eye.
Taken from the Angel Air Records release, Pandemonium Circus.
How We Live was the second-chance band of an artist whose first band had been screwed over by record label politics. That this new band would soon face the same fate is frustrating, but the story of How We Live does have a happy ending–and a rare third chance for success in an industry that is resistant to giving anyone a second chance. That their sole album Dry Land happens to be one of the finest lost jewels of the Eighties only makes this story even more (bitter)sweet.
The story of a creepy little song on a pen-pal’s enigmatic mix tape, and a years-long mystery.