Tag: 1969

Bill Evans: Evans In England (Resonance)

The latest in a series of previously unheard music from jazz pianist Bill Evans, this set offers up a 1969 recording of a fine performance at the legendary jazz club Ronnie Scott’s.

Reelz Presents: Charles Manson: The Funeral

A new, two-hour documentary premiering this Saturday documents the final journey of one of the 20th Century’s vilest and most disgusting criminals.

Cilla Black: Surround Yourself With Cilla/It Makes Me Feel Good (SFE/Cherry Red)

The second album in the first installment in the Cilla Black reissue campaign is a satisfying collection of two of her more modest albums.

Song Of The Day: Tim Buckley, “Nobody Walkin'”

Taken from the Manifesto Records release, Greetings From West Hollywood.

Tim Buckley: Venice Mating Call (Manifesto)

In September 1969, legendary singer/songwriter Tim Buckley would introduce the world to his new hybrid of jazz and folk during a residency at Los Angeles’s legendary Troubadour club. This new two-disc collection captures Buckley in fine form as he performs his then-new album, Happy Sad and what would become his most difficult work, 1970s Lorca.

Song Of The Day: Tim Buckley, “Blue Melody”

Taken from the Edsel Records release, Buzzin’ Fly: Live Anthology 1968-1973.

Song Of The Day: Glen Campbell, “Galveston”

RIP Glen Campbell.

Song Of The Day: The Beach Boys, “I Just Got My Pay”

A fun and catchy late 60s outtake that celebrates that most special day of the week: payday!

The Mike Westbrook Concert Band: Marching Song, Volumes 1 & 2 (Cherry Red)

In 1969, British jazz pianist Mike Westbrook’s big band orchestra released a two-volume set entitled Marching Song, a deftly covert anti-war conceptual set that is both quite enjoyable and quite poignant in its delivery, and a subtle one at that. This collection compiles both albums plus a third disc of outtakes from the era.

Leviathan: Leviathan: The Legendary Lost Elektra Album (Grapefruit)

Leviathan was the new moniker of Mike Stuart Span, whose label insisted they change their name. It wasn’t an unwise decision, as their music was suddenly much different than what they had previously done. Sadly, complying with their label’s demands didn’t seem to matter, as their sole album is finally seeing release 48 years after its rejection.