In the mid 1990s, former Genesis guitarist Anthony Phillips was asked to record an at-home session for broadcast on NPR. The Living Room Concert documents that performance, and serves as a nice curio of an intimate home performance.
The 1994 film Time Chasers earned a reputation as being “so-bad-it’s-good” thanks to its appearance on Mystery Science Theater 3000. A recent reissue of the film’s soundtrack reveals a jewel of a score hidden in plain sight.
Dinosaur Jr released their sixth album Without A Sound less than a year after their previous effort, thanks in part to the allure of commercial success, resulting in a good album that feels slightly off. This reissue offers up the chance for a reevaluation, and in so doing one discovers it wasn’t that bad of an album.
Take the Craft Recordings release, Monster: 25th Anniversary Edition.
Taken from the Touch and Go release, The End Of Radio.
Though Hootie & The Blowfish were easily one of the most annoyingly ubiquitous bands of the Nineties, their debut album was an album worthy of the hype and success. Twenty-five years later, it’s still the rare thing: a critically underrated album that happened to sell twenty-one million copies, and this boxed set offers up a wonderful document of how one of the best-selling albums of all time came to be.
In our continuing series examining classic 45 singles, we step back to 1994 an anthem for low self-esteem.
Taken from the Rock Candy Records release, For Madmen Only.
A hauntingly beautiful ambient composition from a Japanese master.
Ten minutes of album-closing bliss.