Yesterday's Sounds Today

Tag: 1972


Song Of The Day: Malo, “Suavecito”

We remember the late, great guitarist Jorge Santana by reflecting on his 1972 hit with the band Malo.

Bill Withers

Song Of The Day: Bill Withers, “Let Us Love”

We remember the late Bill Withers, who passed away last week at the age of 81, by letting his words speak for him.

Ray Charles, “Lift Every Voice And Sing”

We close out this month’s theme with Ray Charles’ rousing take on the Black National Anthem, and a few thoughts on the past month’s selections.

Third Ear Band: Music From Macbeth (Esoteric)

Director Roman Polanski tapped British progressive collective Third Ear Band to compose the music for Macbeth, his first production after the murder of his wife and friends at the hands of Charles Manson. Through use of improvisation in the blending of old and new musical techniques, they provided the bleak, heavy score the film needed.

Song Of The Day: Alice Cooper, “School’s Out”

A classic rock anthem serves as the best way to kick off the unofficial start of summer.

Ravi Shankar: In Concert 1972 (HariSongs)

The George Harrison estate recently launched a Digital archival label dedicated to the late Beatle’s Indian music productions and collaborations. The label’s first offering is a reissue of a rare live album first released on Harrison’s former label, Apple.

Song Of The Day: TNS, “Time’s Up”

Taken from the Numero Group release, Warfaring Strangers: Acid Nightmares.

Song Of The Day: Lal & Mike Waterson, “Bright Phoebus”

Taken from the Domino Records release, Bright Phoebus.

Michael McGear: Woman (Esoteric Recordings)

Woman was the debut solo album from former Scaffold talent Michael McGear; an album he intended to be a more straightforward, serious affair. Surprisingly, this album is something of a lost jewel, the delightful sound of a young talent trying on different sounds and finding his creative voice.

Matata: Wanna Do My Thing: The Complete President Recordings (RPM Records)

Kenyan-based Matata was once hailed as “the best band from Africa,” and this two-disc collection highlights an excellent band that did indeed have great promise–and it also serves to show the dangers of compromising one’s art for commercial success.