In 1974, Gene Clark released his fourth solo album, No Other, a masterpiece unfortunately and bizarrely labeled a failure. 4AD’s deluxe reissue does much to correct that misconception, and offers a lavish and definitive look at one of the decade’s truly lost classics.
Taken from the Reprise release, Tuscaloosa.
One of the most brilliant and uniquely sounding albums from the fertile underground Texas Music scene of the 1970s gets a well-deserved reintroduction to the world.
A little number to get you into the weekend vibe.
The unlikeliest candidate for releasing a hit single did just that in 1974, resulting in a one-and-done R&B smash hit that was easily one of the best songs of the decade.
We pay tribute to the late, great Pete Shelley by revisiting a disturbing and dense experimental tape piece from his teenage years before he started his band, the Buzzcocks.
Taken from the Mental Experience release, Epitaph For Venus.
Tammy Wynette’s voice conveyed passion and heartbreak as she sang songs about heartbreak, loss, and disappointment. These two albums, both from 1974, are atypical in that regard, twenty-one emotionally powerful and gorgeously arranged country songs that might best be taken in small doses.
Here is a rare treat for those of you in warmer climes…one of the rarer singles from the Beach Boys, a 1974 Christmas confection that nobody heard.
Kenyan-based Matata was once hailed as “the best band from Africa,” and this two-disc collection highlights an excellent band that did indeed have great promise–and it also serves to show the dangers of compromising one’s art for commercial success.