Boscoe is a mysterious groupâall thatâs mainly known about them is that they came to be in the early 1970s black rock scene. Though enigmatic and obscure, listening to their 1973âs self-titled album shows that their obscurity was not for a lack of talent; these eight songs are scorchers that defy classification. Boscoe is the sound of black radical politics expressed in song, through various forms. The seemingly random hints of jazz, soul, R&B, rock, and vocalizing arenât so random once you consider all are rooted in African-American culture.
To be sure, Boscoe is a rough-sounding, lo-fi affair, giving the songs a gritty underground feel that adds a certain element of intensity to already-intense lyrics about poverty, life in the ghetto, racism, drug abuse, sex, and black pride. Itâs not an easy listen, because there are hard truths being preached here. The jaunty funk of âHe Keeps Youâ deals with oppression, but the end of the song resolves that though âIâve been a slave all my days, i ainât gonna be a slave to my graveâ and that it is âtime to shake of the Masterâs ways.â âMoney Wonât Save Youâ is a rollicking funk number that preaches reliance on self and community and not be enslaved to the almighty dollar. Album closer âNow And Den,â is an epic jazz-rock freak-out funk revolution clarion call sermon, not for the sake of violence, but for the good of all in society.
The ending chant of âWar is the precedent of peaceâ is the message of the entirety of Boscoe; that a positive change will be the result of the unpleasantness of the forthcoming revolution. It sounds scaryâeven forty years later, Boscoe is haunting, especially considering how little has changed between then and now. Boscoe is a fascinating document of an era that shouldnât still exist, but because it does, itâs unintentionally contemporary.
And that’s a damn shame.


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